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1. #Fantasy world map designer how to
2. #Fantasy world map designer full
3. #Fantasy world map designer license

The trilogy takes place on a supercontinent called the Stillness, which is wracked by massive climate events every few centuries which reshape the entire world’s geography. NK Jemisin’s Broken Earth trilogy is a masterful example of speculative worldbuilding. A map of Leigh Bardgo's Grishaverse ( Image: Netflix)Īs well as drawing from the past, another approach could be to imagine a future iteration of our world. You can find analogs for Tsarist Russia, the Dutch Republic, China, and Scandinavia in Bardugo’s books. For example, Leigh Bardugo’s Grishaverse takes inspiration from the geography of a number of real-world countries, often at another point in their national history. You can draw from the real world when imagining these aspects of your fantasy world.

#Fantasy world map designer full

You can consult our worldbuilding guide for a full list of prompts, but some questions to consider include:

That means having at least a broad sense of its geography and ecology, so that you know what the landscape looks like, and what beasts your characters are likely to encounter. Once you’ve named your world, it’s time to fill it.

#Fantasy world map designer how to

Watch: How to create your worldbuilding bible Once you’ve selected between first and second world settings, you can begin building it in earnest. Still, you’ll want to think carefully about the changes you’re making, and the way they might impact the day-to-day life of your characters.

#Fantasy world map designer license

Within “real world” fantasy, however, you will see two broad subgenres: alternate history fantasy, and historical fantasy.įor historical fantasies, while some amount of historical license is accepted (and encouraged), your readers will notice something’s wrong if your book has Atilla the Hun kidnapping Florence Nightingale without the help of a time machine.Īlternate history fantasy gives you a little more freedom as the name suggests, you’re inventing an alternate version of history. This kind of world creation may require less invention on behalf of the author, but may require just as much preparation as they are constrained by historical specifics, technology, and politics. For example, the vast majority of literary fiction, mystery, and romance novels are set on a place called Earth that bears a striking resemblance to our own world. You can always set your story right here on Earth.

Not all fantasy writers, however, wish to create an entirely new world. ( Illustration by Josh Kirby) Set your story in an Earth-like place One big one? Discworld flies through space on the back of four elephants, who are themselves perched atop a giant turtle. Terry Pratchett's Discworld has many similarities with Earth, but a few major differences. You can make it as cool as you like think Discworld, Middle Earth, Zamonia, etc. A strong starting point in order to define your world as “other” to our own is selecting your world’s name. This creative freedom is exciting, but it also requires a lot of world building work to invent a fleshed out and textured fantasy world.

Feist’s Riftwar cycle are classic examples of “second world” fantasy: they were able to create worlds untethered by historical paths or laws, which gave them a lot of freedom of choice. Martin’s A Song of Ice and Fire and Raymond E. Before you start work on your backstory, it’s essential to know which of these categories your story will fall under. Broadly speaking, the setting of your story will either be our own world, or an entirely fictional world - what’s known as “second world” fantasy.